Quick note from me

This is the last newsletter of the year. I’m really grateful you’re here. In 2026, I’ll be putting even more value into this channel, so stay tuned. But before everyone jumps into 2026 goals, let’s pause for a moment.

This year I reviewed many portfolios, worked with designers at very different stages, and watched the industry change in real time. Some things surprised me. Some patterns kept repeating. I’m sharing a few reflections and a simple way to think about what to carry into 2026.

One more thing. My Christmas discount for portfolio products runs until 31 December. The moment the clock hits 2026, it ends. If you’ve been thinking about joining the course, this is the best time.

20% off with code CHRISTMAS2025

Story outline

  • Level 01: What the best portfolios actually had in common

  • Level 02: Everyone struggles with portfolios

  • Level 03: Many portfolio problems are skill problems

  • Level 04: Most designers don’t need more effort but less scope

  • Level 05: Don’t carry burnout into 2026

  • A personal note

Level 01

What the best portfolios actually had in common

After reviewing many (sorry, I didn’t count this time), portfolios this year, one thing became very clear.

It didn’t matter if someone was junior, mid or senior.

It didn’t matter if they worked at Google or had 1 year of experience. The strongest portfolios all had the same thing in common:

  • Intentional choices

  • Focused execution

  • Clarity over noise

Not more slides, methods, words, visuals or buzzwords (like “empathy” or “complex problems”).

Just clear decisions about:

  • Who’s the designer

  • What to show

  • Why it matters

  • Who it’s for

Level 02

Everyone struggles with portfolios

In 2025 I helped:

  • A manager with 20+ years at Google

  • Junior with 1 year of UX experience

  • Seniors who designed for years

All of them struggled with their portfolios. Why?

Because portfolios require a different skill set than most day-to-day product design jobs.

Things like:

  • Storytelling

  • Visual storytelling

  • Web design

  • Framing decisions

  • Communicating impact

Yes, in many design jobs designers mainly execute and deliver, and decisions are made quickly together with the team. Often nothing is measured, so you’re not aware of your impact. The whole process can feel messy, which is why many designers struggle later when they try to turn that work into a clear portfolio story. So it’s normal that your portfolio feels weak.

That’s not failure, but a skill gap.

I personally learned more about these skills through content creation than through my design jobs. So no shame here.

Example of weak visual design skills

Level 03

Many portfolio problems are skill problems

The 2 most commonly missing skills I saw this year were:

  • Visual design

  • Communication

And by communication, I don’t mean confidence. I mean:

  • Unclear messages

  • Too many topics at once

  • Weak structure

  • Language or grammar issues that break clarity

These 2 skills heavily shape first impressions. And first impressions decide whether a hiring manager:

  • Keeps scrolling

  • Opens a case study

  • Invites you to an interview

This isn’t about being a bad designer. Most designers were never trained in these skills. Most of us are hired to execute, not to market ourselves. That’s why portfolios are hard for everyone.

Lacks clear positioning communication

Level 04

Most designers don’t need more effort but less scope

This is where many designers get stuck. They try to fix everything at once:

  • Portfolio

  • Skills

  • New projects

  • AI

  • Positioning

That’s a fast track to burnout. Instead, separate the problems and be honest about what’s actually holding you back. Ask yourself:

  • Is my portfolio visually weak?

  • Do I lack relevant projects?

  • Is my storytelling unclear?

Then act accordingly. Examples:

  • If visuals are weak → Improve visual fundamentals or use a solid template to remove friction (check my Framer portfolio template here)

  • If you lack projects → Stop polishing your portfolio and work on projects first

  • If storytelling is weak → Practice explaining why, not just reporting what happened

If you want to progress on more than one thing, reduce the scope:

  • 1 problem

  • 1 project

  • 1 clear goal

Not 100 things at once.

Sometimes a portfolio feels empty because it is. And that’s not a presentation problem.

That’s a content signal. In that case, the solution isn’t a better portfolio, but a better input:

  • Conceptual projects

  • AI assisted experiments

  • Small but focused problem spaces

  • Thinking like a founder, not a student

Portfolios are outputs. Experience is the input.

Decide which one you need to work on first.

My new execution board

Level 05

Don’t carry burnout into 2026

For years I thought reflection was a waste of time. Execution was everything. I know many of you grew up in the same mindset.

But being consistent in chaos doesn’t lead anywhere good.

Before setting goals for 2026, pause and reflect. Ask yourself:

What gave me energy this year?

  • Types of work

  • People

  • Environments

  • Habits

What drained me?

  • Tasks

  • Commitments

  • Contexts

  • Goals

Then use a simple approach to create your 2026 direction:

  • Pick a word of the year

  • Pick a quarterly theme

  • Then break it into goals and habits

My new yearly review template

A personal note

This year was my most fulfilling and most intense year professionally.

A shift in focus

I’ve been moving deeper into entrepreneurship. I learned a lot and enjoyed the growth, but it also came with stress, overwork, identity shifts, and moments where rest felt uncomfortable.

For the first time in my career, this year wasn’t mainly about designing. I did less hands-on design work than ever before, and that took time to accept. Instead, I focused on building something new.

What I worked on

This year was about content creation, brand partnerships, hiring and mentoring designers, growing my course, community, 1:1 work, and templates. Freelance work decreased, and in 2026 I’m leaning into entrepreneurship even more.

Where this leaves me

I’m a generalist. I still love design, but I also love creating, experimenting, making my own decisions, and taking risks. This shift gave me a wider perspective on design careers, portfolios, and growth than I’ve ever had before.

My goal stays the same. I want to help you build a clearer, more intentional career, with practical guidance and honest insights, especially in a market that feels noisy and overwhelming. In 2026, I’ll bring even more structure, sharper thinking, and fresh perspectives into this space.

Thank you for being here this year. See you in 2026

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Aneta

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